Headphones x 1 - Rec. Final Impedance: 8 - 200 Ohm
DIN Socket x 1
Line Out x 2
Headphones x 1 - Empf. Final impedance: 8 - 200 ohm
DIN socket x 1
Sound heads: 3 - Double Permalloy 1 x for combined recording and playback/ 1 x Delete
Motors: 3 - Direct current Srevo 1 x / Direct current 2 x
Tape speed: 4.8cm / s
Synchronisation fluctuations: 0.045 160;%
Band types: Type I (Standard), Type II (High), Type IV (Metal)
Frequency Response:
Normal: 20 - 17,000 Hz
Chrome: 20 - 18,000 Hz
Metal: 20 - 19,000 Hz
Total Harmonic Distortion:
< li>Signal-to-noise ratio: 60 dB
Auto-reverse: no
Title search: yes (A.M.C.S.)
Dolby: B, C
MPX filter: yes, switchable
Fader: yes
Monitor / Source: yes
Normal: 20 - 17,000 Hz
Chrome: 20 - 18,000 Hz
Metal: 20 - 19,000 Hz
Master-Level Slider
Backband control
BIAS control
Automatic tape type adjustment
Cassette compartment illuminated
AUTO SPACE -Space key (5 sec. Silent recording)
Real-time tape counter with double sensor
7c52ed5b8820b7dfd90b5a784bac64b3S scanning system in both tape directions
3 Repeat functions: Single, full, block
Display of elapsed playing time (CONS) and remaining playing time (REMA )
Two-color 12-segment LED level meter with "peak hold"
TA- 200
TA-300
TA-2500
TA-2900
This tape deck is getting rarer and rarer.
In most devices, the belts have never been changed, especially the Idler belts, so they simply dissolve and stick together after many years. For most devices, this was the knock-out.
Report in Audio 2 / 1985: Test Aiwa AD-R 650, Akai GX-R 66, c279c1ef3fe7ca1956b057d2e95af71b DR-M 22, JVC KD-V 6, Nakamichi BX-150 E, Onkyo TA-2500, Sony TC-FX 707 R , Technics RS-B 78 R