erase head: double slit with a low-loss ferrite core
motor: 3
flutter: 0,06% (WRMS ), and 0.11% (DIN)
band types: type I / II / IV
frequency response: 20 - 20,000 Hz (REC level: - 20 dB, Type IV, Type II)
total harmonic distortion: less than 1.0 % (400 Hz, 0 dB, chrome)
signal-to-noise ratio: better than 64 dB with Dolby B, 70 dB with Dolby C (metal)
fire-Extinguishing loss: better than 60 dB
channel separation: better than 36 dB
Crosstalk: better than 60 dB
bias frequency: 105 kHz
rewind Time: approx. 80 seconds (C-60)
Auto-Reverse: no
title search: no
Dolby B / C
MPX-Filter : Yes, switchable
Fader: no
Pitch-control: no
CD Synchro recording: no
recording/playback: laminated Sendust core
erase head: double slit with a low-loss ferrite core
Double-shielded power transformers (lt. Cat alog 1988, metal screen shown in Hifi Vision 3/1988)
Discrete playback amplifier (lt. Cat alog 1988)
LED level display 2 x 11 segments
Other models from the same series:
CR-1 E
CR 2 E
CR 3 E
CR 4 E
CR-5, E
CR-7 E
CR-1 A = American model (120 Volt)
CR-1 E = European model (220 Volt)
CR-1 = International model (120 / 220 to 240 Volt, switchable)
extract from the prospectus: Nakamichi CR-1, CR-2 E
sales brochure, CA. 1990:
How the CR2-E, the CR1-E is equipped with the Nakamichi 2 head-playback system. And like the CR-2E, this model delivers a sound quality that is otherwise only expected from a high-quality 3-head device.
Without pre-magnetization setting, electronic tape counter, recording mute switch and also without adjustable headphone output.
Like the CR2-E, the CR1-E is also equipped with the Nakamichi 2-head playback system. And like the CR-2E, this model delivers a sound quality that is otherwise only expected from a high-quality 3-head device.
Without pre-magnetization setting, electronic tape counter, recording mute switch and also without adjustable headphone output.